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‘Conference of the Birds’ shows an outtake from an analysis of the correlation between time and place and of the historical Iranian landscape. How do places appear and disappear? How do we attach meaning to a certain site and in what way photography can deal with deconstructed icons in comparison to the (a-)historical palm tree sticking out its tongue? 

A small desert village has been photographed obsessively and captured from every angle possible. Elements are positioned in the frame so that they are repeated in the next. 

The photographs move in closely to the landscape of a palm tree village. The village is small and serene. Palm trees appear all over the place, they are burned, bend, dry and dead. They resemble pillars and artefacts that are left behind on various historical sites and they can be associated with land art installations.

Photography --- Vanoverberghe, Sybren --- fotoboeken

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« Dans mon jardin les fleurs dansent » est une série entamée il y a quelques années, à Bugeat, en Corrèze, où ma mère a décidé d’aller vivre.
C’est l’histoire simple, mais comme beaucoup d’autres pas toujours facile, d’une femme, d’une mère, de liens, de ruptures, de deuils et d’envies. De résignations et de renouveau, de souvenirs, de pleurs et de rires. Des images de là-bas et des textes d’ici. Une histoire. Hier, douloureuse. Belle, aujourd’hui ».
Le résultat d’un travail récent et très personnel à propos de ma mère et de la vie de famille, mené en Corrèze entre 2002 et 2018, aussi près des gens que des choses et du paysage.

Photography --- fotoboeken --- Cornil, Olivier

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Arnaud Brihay constantly hires planes for his professional activities, which lead him to numerous countries. Upon his return to Lyon, he continues to move, but on another level, going from place to place – often anchors of his life and his sociability. From time to time he returns to his native Belgium. He thereby composes a lived geography, which articulates and accentuates on places, lines of motion, connections.

His existence is transitory and traversing, in the sense that he passes through places, to reach other places, without settling in for long: is it this instability of domicile as a neo-nomad what has driven him for some years now to photograph fleeting moments, shadows, atmospheres? 



All of this, captured in motion, reveals the fragile pieces of a wandering and a little melancholic life, marked by a sort of Saudade of the contemporary mobile individual – a nostalgia for what one leaves behind with every departure: loved ones or friends, waiting for a new get-together, places, landscapes, to which Arnaud is so attached, that he consecrated to them several series, before his photography grew apart from the fixed forms and concentrated on the impression of passage. (…)

Michel Lussault

Photography --- fotoboeken --- Brihay, Arnaud

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The production of Punk Graffiti Archives: The Netherlands involved months of research into several private archives, including the two largest existing archives of punk graffiti related documentation – the Diana Ozon Archive and the archive of the Dutch Graffiti Library. The book features several newspaper and fanzine clippings from the era translated into English.

Punk Graffiti Archives: The Netherlands was published as a companion to the 2018 Unlock Book Fair, together with its twin volume, Punk Graffiti Archives: Madrid. The fair took place in Amsterdam in December 8-9 under the topic “punk and graffiti”.

Photography --- graffiti [casual notations] --- fotoboeken

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In the autumn of 2019 I photographed fungi in Dudenpark, Brussels. Fungi are the oldest living species on our planet. They build and spread their communities across human borders, continents, laws ... They take over land without asking permission. They clean up toxic messes in disturbed landscapes and shake the land back to life to create livable grounds for animals, plants and maybe humans. They have the power to transport energy between weaker and stronger trees, to keep forests alive or to kill them. Their spores are invisible and spread and spread and spread. “The uncontrolled lives of mushrooms are a gift — and a guide — when the controlled world we thought we had fails.”


The project consists of an installation and a publication. The accrochage shows a number of blow-ups of marcro-photographed fungi. The prints will appear and disappear according to the temperature in the room. Two heating systems are installed under the works to provide change. By a timing system the heaters will go on and off. The viewer will not be able to control what he sees. Each hour the images will be different showing and hiding parts of the work. The (un) natural process of appearance is accompanied by the responsibility, care and patience of the spectator.


Fungi [kingdom] --- artistieke fotografie --- fotoboeken --- Segers, Dries